Remains of an exploded star. This is over an hour exposure total, through a 61mm telescope, in not so great suburban skies.
A couple of days ago I found a 12 oz bag of Peet’s ‘Cafe Domingo’ beans by the coffee grinder. I assumed that daughter Sara bought them, opened the bag, and dumped them in the hopper.
Later I asked her. She said no, she found them in the kitchen cabinet along with some other beans. She showed me — there was also a bag of ‘Major Dickason’s Blend’. Both bags were almost a year old. In the spirit of inquiry, I made a cup for me (espresso) and a cup for CF (Aeropress).
In all honesty, I cannot recommend it, and, despite being averse to waste, I am seriously contemplating dumping the beans. (CF, on the other hand, said “I like it.” But she is famous for drinking almost anything, coffeewise.)
It is drinkable in the strictly literal sense, but the flavor has one note: harsh. No coffee aroma. Sad.
This photo was taken from our balcony. Our development abuts canyonland that could turn into an inferno like this.
If we establish a permanent human presence off the shoulder of Orion we will necessarily take an ecosystem with us. It won’t be humanity colonizing space, it will be Earth’s biosphere colonizing space. Life, in general, has an intrinsic property of opportunistic expansion, and we are life.
Testing other media. This is from the Notebook for Anna Magdalena Bach, Menuet in G. Recorded as part of a project for my daughter Sara.
Sheltering in place, one must be inventive. A tiny african violet sitting on the windowsill in the kitchen.
“Chicago Typewriter” is a Korean drama currently streaming on viki.com. 16 one hour episodes . [Edit: Now available on Netflix!]
It starts as a slapstick romcom ghost story, transitions to an intense and tragic 1930’s Korean historical drama, and then returns to the present for a sentimental ending. Love triangle: two best friends love the same girl. All good. The story, the characters, the writing, the acting, the cinematography, the production values — all great.
What sets it apart from the flood of excellent productions coming from Korea these days, though, is the window it gives into the politics of the 1930’s. At that time Korea was a vassal state of Imperial Japan. In a way perhaps reminiscent of the US annexation of Hawaii, Japan “annexed” Korea in 1910. Korea didn’t regain its independence until the end of WWII, in 1945. For 35 years, Korea was ruled by a seriously exploitative foreign power , and through a large part of this time period there was an energetic Korean resistance. “Chicago Typewriter” depicts one of these resistance groups, and its passionate struggles with Imperial overlords.
The story is intensely nationalistic — the Japanese are represented as evil, and the Koreans (with the exception of despicable traitorous turncoats) are good. But while the series may not be precise in detail, there is no question that Imperial Japan acted very badly and made enemies throughout Asia. “Chicago Typewriter” makes it very clear that deep emotional wounds remain.
It is also an uncomfortable truth that many of the actions of the freedom fighters in the story would nowadays would be considered acts of terrorism. There were many in the Korean upper class who profited by the Japanese presence, and, in the story at least, some were murdered.
Large scale atrocities and systematic exploitation are historically common. Mao caused the death of perhaps 60 million of his own people. China has effectively “annexed” Tibet, and Xi may soon preside over a bloodbath in Hong Kong. Pol Pot killed a quarter of the population of his country. The Middle East. Rwanda. The Armenian genocide. Endemic racism in the US, and the endless US military actions throughout the world..
Dig back far enough in your own personal history, and you will likely find evil, no matter who you are.
[“Shuttle Love Millennium”, AKA “Love Through the Millennium 2”, is an excellent Chinese TV series that depicts the Japanese occupation of Shanghai in a similar way. ]